Happy Friday: John Mulaney and "The Best Meal I've Ever Had"

The Family Crest: My new favorite San Francisco band

At the Cafe du Nord CD release, January 22 - Owen Sutter: violin , Sarah Dabby: viola/vocals, John Seeterlin: bass, Liam McCormick: vocals/guitar (photos: Ted van der Linden)

Liam McCormick

I recently came across The Family Crest because they signed up on Hear it Local (see folks, it works!) and fell in love with their sound. Not only do they combine classical and rock, which is something I always can appreciate, they also invite dozens of people to perform with them, including a choir. I definitely want to join!

I also want to say that I'm always glad to see some diversity in a band, especially diversity that represents its own city and community. So yes, I'm glad to see that there are two Asian guys, Liam McCormick and Lucas Chan, in The Family Crest.

Read my review of their new full-length album "The Village" and CD release here.

Maunal, Dwayne & Brian: the kids of Lynchdoche Eco-village

Manual at an end-of-the-year Christmas party for a program where kids learn to recycle (he has the best smile)

These videos are super special to me. I arrived in Cape Town from London early on a Sunday morning and headed directly to the Sustainability Institute and Lynchdoche Village, located east of Cape Town in wine country on the way to Stellenbosch.

The sun was out, it was warm and windy, and it was gorgeous country. I didn't really know what to expect from this place, and since it was Sunday, school wasn't in session and it was really REALLY quiet. During the week, these pictures would be filled up with people.

looking north: The crèche on the right (where kids play during the week) and some homes.

south

Then I heard some music. So I followed it (as I do) and found these guys: Manual, Dwayne and Brian (and Brian's little sister) playing music. Brian lives in the village, I'm not sure where Manual and Dwayne live, but it would be in the general area in small homes. All three go to school at the government run school located in the Sustainability Institute.

Brian's mother Makka runs the guesthouse where I rented a room. She just finished paying off her house (behind them) and was one of the first eco-village residents a little over 10 years ago. (Her tiny two-story home has a solar panel.) Brian is 11 and the oldest out of this bunch.



I love the extension chords leading out of Brian's house. Manual played that plastic trashcan lid like a pro. Brian's guitar was hardly tuned, but he would bar the frets to get a reasonable harmonic sound out of it. I later found out that he had taken guitar lessons, so this kid knows how to play chords and he's actually very musically talented. So he's chosen to play this particular instrument without much tuning. I found that really interesting.

I'm not sure what the first song is, but I imagine that it's a South African gospel tune. This second one definitely is. Gospel is really popular in the rural parts of Cape Town. Brian taught me how to play this second tune "I've got a Feeling" on his guitar. I also went and pulled out my ukulele which he tinkered around with.

Please ignore the fact that I interrupted them at the end, so I could give Dwayne the chance to play if he wanted to. Only now do I realize that Brian says "He can't play!" haha... oops.

This was really sweet though, and a wonderful way to welcome me to this continent/country/city.

Music in Cape Town: Abavuki and marimba bands at Mama Africa

Abavuki live at Mama Africa

In my search for "authentic" African music (which is a dangerous rabbit hole to start down, because really, what is authentic?) I came across marimba bands. Ironically, the place I found the "authentic" Capetonian music was at restaurant called Mama Africa.

Mama Africa is a tourist destination restaurant that serves up pan-African foods and animals. You can get warthog, springbok and zebra there (and yes I did try it, and yes, I did like some of it). The walls are covered with African art and thatch, just to make it as "authentic" as possible. I was warned about this place. I had heard that the service sucked and the food was overpriced. I knew there was music, but I just assumed that it would be cheesy. Every night there is a live band playing for the tourists and most of these bands have bi-weekly gigs here.

But on my last night in Cape Town before heading to Namibia, I ended up there with several other backpackers. The food was actually pretty good and the band playing that night was Abavuki, a Capetonian marimba band. Being the good Ethnomusicologist I am, I had to ask some questions. (No food poisoning this time.)

Talking to Mzwamadoda Matsila, the trombone/alto marimba player, I found out that marimba bands are indeed Capetonian and that the guys in the band do make a living playing music. Our final bill charged each costumer a 10 South African Rand ($1.50) music fee. There were some people at my table that were upset about this. Yikes. I tried to explain to these people that these gigs probably earn the musicians the bulk of their living wages.

The musicians of Abavuki are from the black township of Langa. I noticed that most of these guys played at least two instruments. There were three sizes of marimbas: bass, tenor and alto. The soprano marimba does exist, but they just don't use it. A couple of these guys also doubled on saxophone and trombone. They also switch off playing various percussion instruments. They also ALL sing - with some pretty cool harmonies.

These guys probably play for at least four hours every night. They played hard for us, and I appreciated it. I had a great time. It was much more entertaining than the cover band with a pre-recorded drum track I had heard earlier in the week down the street.

These are not my videos, but are pretty good representations of what I saw. The music is fast, virtuostic, hard-hitting and danceable. I am super glad to have stumbled upon it.



And another:

Race and the Bay Area Afrobeat band Albino!

This morning I posted this article on examiner.com describing a four month lab residency for the Bay Area afrobeat band Albino! to play at the Elbo Room in the Mission. Each month they will team up with a different artist to experiment with the kind of music that might come up out of that partnership. This is month (Friday) they are playing with Liberian-Bay Area DJ Jeremiah.

I'm not gonna lie, when I first heard about this band three years ago, it made my stomach churn a little bit. The idea of an Afrobeat band called Albino! which is comprised of *mostly* white dudes in costume (often African-themed costume and "tribal" face paint) was not really appealing to me at all; especially coming right out of an Ethnomusicology academic program where I thought about race and music consistently for three years. I was even sure that the band was pretty damn good, but it was still disturbing to me.

But then, the more I thought about it, and the more I got to know the Bay Area and its sense of humor and awareness, it seemed less and less of an issue. I mean, in Austin I was in an afropop band where we often didn't even know what we were singing about, let alone if we were singing words that made ANY sense in the original language (we learned covers phonetically). We just liked the music and wanted to recreate it the best we knew how. At least Albino!'s lyrics are in English and write about political and racial issues in their own community (class struggle within Oakland for instance).

The name Albino! and the costumes seem to be merely poking fun at the fact that the musicians are a bunch of white guys, and yeah, "we play African music," so what? There are dozens of afrobeat bands in the US comprised of mostly/all white people (Antibalas, Budos, Nomo, Afrodesia etc), and they're damn damn good bands that I love very much and do all I can to support them. Can I single one out because of a band name and funny outfits? Can I seriously consider this tasteless enough to count them out?

The music is good. The music does not poke fun. I now have one of their live CDs and it's great music.

What do you think; am I trying too hard justify this idea? Can we just laugh at it and dance?

Albino! promo photo

Recording of Pomplamoose Live at the Warfield NYE Dec 31, 2010

Photo by Zaque Eyn

A fan named David sent over a link to a recording they made at the Pomplamoose show at the Warfield on December 31, 2010. It's pretty darn good so I wanted to share it with you. I was on a plane at the time, so I'm super happy to have a copy.

CLICK HERE

Music for Tourists: Videos from Cape Town

I'm going to start rolling out photos and videos from my trip to Africa and Europe. I'll start with the ones that are probably the most interesting culturally and historically, but which I also know very little about.

What I can tell you is that these performances are for the tourists. They were in touristy parts of Cape Town where there was a lot of shopping happening: the Waterfront and Green Market Square. These are folks that get up in the morning, put on their costumes and go dance for tips. And it's nice that they do, because in Cape Town you don't really get a feeling of much traditional culture, it's a very modern and European city.



Tourists were constantly joining these ladies so that they could have pictures taken with them. It was a little annoying as I just wanted to watch them perform. I really enjoyed their interlocking rhythmic and melodic chanting. It was very cool.

I passed them a couple hours later and they were sitting and singing. It was hot, and they were tired. They were cute ladies.



If you know anything about these performances, please let me know.

The Budos Band: "Staten Island instrumental afro-soul"

Coming home from chilly and wet Europe next weekend and heading straight over to thaw off with the Budos Band, who is single handedly giving Staten Island a new reputation for funky afro-soul. My only experience with the island was WWF and Jewish deli's. So thank you Budos. See you next weekend.

READ MY EXAMINER PREVIEW ARTICLE HERE